Sunday, December 16, 2012

THE HOBBITT, ANNA KARININA, ANY DAY NOW, HITCHCOCK, KILLING THEM SOFTLY, NORTH SEA TEXAS plus Dragon Tattoo

A couple more great films for the Holidays (see previous blogs), and it starts with another edition of  Peter Jackson's version of a Tolkien story THE HOBBIT.  Once more we are back in Middle Earth with engaging characters, fabulous settings (thank you New Zealand), a ripping story of good vs evil, and the finest technical and special effects work available now on film.  I saw this in good old 2D (I'm no fan of 3D--it doesn't work over my glasses, and I end up with a headache and/or eye  strain.)  It looks great and the seamless special effects are better than ever.  The score by the ever reliable Howard Shore (Oscar winner for the LOTR series) is part redo and part creative original.  I was thoroughly engaged and can't wait to see what happens in the future episodes.  The HOBBIT has been made into three films, using the actual (modest length) book and also notes and essays from Tolkien himself to flesh out the running time.  This film clocks in at over 2 1/2 hours, but it feels incredibly dense, detailed and fascinating--I can't imagine them cutting a single scene.   For those who loved LORD OF THE RINGS films 1,2 and 3, then THE HOBBIT is a MUST SEE.      GRADE-------A-

A new version of Leo Tolstoy's classic novel ANNA KARENINA has been given an invigorating, thrilling dusting-off  treatment by director Joe Wright (PRIDE AND PREJUDICE 2005 and ATONEMENT 2007).  He has set the film in and on a grand theatre and stage (perhaps all the world's a stage!) and given the film a stylized, rapid cut action that seems both clever and at times theatrical, yet it works very well.  The first 20 minutes I kept imagining that the characters were going to break out into song and dance--it works to bring us into the story of a tragic love affair and the way it is juxtaposed against a love affair that works in a more wholesome and successful way.  It is a witty, ironic manner to expose the high society mores of the wealthy, and exposing the way the lower classes can cope in a different, more difficult world.  The sets, costumes, music, editing and cinematography are all first rate, and the numerous actors seem to be having a marvelous time.           GRADE--------A-

The entertaining bio-pic HITCHCOCK features fine performances by Anthony Hopkins (even if his make up doesn't really look like Alfred's features) and Helen Mirren as Alma his wife.  This is a must see for any Hitchcock fan, cinephile, film buff, and old movie fan.  Younger film goers unfamiliar with Hitchcock's films (especially NORTH BY NORTHWEST, PSYCHO, THE BIRDS) may wonder what all the fuss is about.        GRADE-----------B

Alan Cummings is the main reason to see the based on a true story ANY DAY NOW, about a gay couple in the mid-70's who attempt to raise a handicapped teenager who has been abandoned by his drug addicted mother.  Cummings plays a drag queen singer who (fortunately) gets involved with a conservative gay lawyer but their "life style" is considered inappropriate by the legal system which does little to hide their homophobia.  Some annoying hand held camera action aside,  it is a solid melodrama, and the ending packs a real punch.   GRADE---------B

The Belgium film NORTH SEA TEXAS set in a small village in the late 1960's follows a young gay teen who falls in love with the neighboring family's older teen, but finds himself left behind when the older teen discovers girls.  The film is very realistic and honest about the feelings that young gay boys harbor--most of the story is from the younger boy's POV.  The characters are well portrayed and in spite of some unpleasant characteristics, mostly sympathetic.     GRADE-------B

I admired the actors in KILLING THEM SOFTLY---Brad Pitt, James Gandolfini, Richard Jenkins, Ray Liota, and others---they've been given uncrowded direction and telling dialogue and they make the best of this sad, depressing story of a couple of young lowlife thugs who  rob a gangster poker game, making off with thousands of dollars, only to become methodically murdered  by a professional hit man (Pitt).  The film is stylish and well made, but predictable and very grim, and by the end, the cynicism, violence and pessimism that pervades the film (set at the end of the Bush economic debacle and the start of the hopeful Obama term) feels regrettably ugly.        GRADE------C+


___________________

DVD FILMS

The extended versions of GIRL W/THE DRAGON TATTOO (2009) and  THE GIRL WHO PLAYED W/FIRE (2010) feature some subplots that intriguingly add to the texture of the plot, and actually make some of the proceedings more interesting.  Both are strong mysteries, well acted and directed and they retain their power on a second viewing.    GRADE---------A- and B+ respectively

Sunday, December 2, 2012

3 Films rated "A"---LIFE OF PI, SILVER LININGS PLAYBOOK,CHASING ICE, plus a cinematic-like version of TV's GLEE's called PITCH PERFECT, and Maggie Smith

Possibly the most beautiful looking piece of cinema you will see this year is Ang Lee's new film LIFE OF PI, based on a novel about a young boy named PI who grows up searching for his spirituality, losing his family during an amazingly intense tragedy at sea, and finding some peace through his intense experience alone with a Bengal tiger while lost in the ocean.  Whether or not he wins a second Oscar for this film (his first win was for the heartbreaking BROKEBACK MOUNTAIN 2007), this film is a visual feast of color, images, sights, thoughtful special effects and amazing action.  He conquers the BIG THREE issues that most directors always want to avoid----handling child actors, dealing with animals, and filming on water.  It's a most impressive job.  The long center of the film, mostly on the water, is stunningly lucid and exciting. (I don't really like the 3-D experience--it hurts my eyes, so I saw this in regular 2-D, but I can't wait to try the 3-D version.) Where the film dims a bit is the bookended  set up and conclusion which shows the adult Pi telling his life story to a reporter--it isn't bad, just seems rather ordinary when compared to the other 90% of the film.  Still, it isn't every film that attempts to capture spiritual growth in a young boy, AND features the most amazing scenes of being lost at sea ever filmed.  For the mature film-goer it's intelligent and moving.  For the novice, it's still a great thrill.       GRADE------A

Speaking of incredibly beautiful cinematography and images, the documentary CHASING ICE has the thrills to match.  Taking it's theme from Al Gore's ground breaking film AN INCONVENIENT TRUTH (2006) which warns of the dangers of global warming, CHASING ICE  focuses mostly on ice bergs and ice covered continents, following a group of researchers as they specifically and photographically chart the quickly disappearing ice and speculate on the dangers to the environment.  How any one can watch this amazing film and still doubt that global warming is a SERIOUS threat to mankind is truly living in their own demented world.          GRADE-------A

Unique, quirky, edgy, and funny, the oddly entertaining SILVER LININGS PLAYBOOK is a well acted family drama which features Bradley Cooper as a recently released mental patient who was jailed for seriously assaulting his wife's lover.  He hooks up with a family friend's widowed daughter who has her own issues, and the film slowly shows us how adjustments to relationships are necessary to achieve true friendship and love and respect.  His father, strongly portrayed by Robert deNiro, has also had problems with violence (he's permanently banned from the Philadelphia Eagle's stadium for beating up fellow fans), and the family is living on the brink of bankruptcy.  The real surprise here is Jennifer Lawrence as his odd new girlfriend---she's had a big year since WINTER BONES (2010) made her a name and THE HUNGER GAMES (2012) made her a star.  I never knew just where this film was heading, and it cannot be pigeon holed,  but I enjoyed the ride.        GRADE------A-

Attention all Gleeks!  You know who you are.  (I'm one of you, too.)  The new film comedy PITCH PERFECT which opened in early October and has been playing ever since with lovely legs (cinematic slang for longevity) is a lot of fun, and plays alot like TV's GLEE---except it takes place in college.  It has a lot of characters, music, gags, and laughs, and on the sleeve dramatics, and while it suffers a bit by being compared to GLEE--it is still a funny, fun popcorn movie. I especially enjoyed the double entrende banter between the hilarious Elizabeth Banks and John Michael Higgins as the moderators of the glee competitions.    GRADE--------B

A modest but engrossing French thriller, THE BIG PICTURE starts out with a familiar set-up, as a family man discovers that his bored wife is having an affair with a handsome neighbor.  A tragic accident changes his life soon after, and he sets out to "start over" with mixed results.  The film is a "slow burner" but well acted.  It features Romain Duris, Niels Arestrup and Cathrine Deneuve.   GRADE-------B


DVD MOVIE OPTIONS-------

I remember seeing THE PRIME OF MISS JEAN BRODIE when it played in 1969 at the Guild 45 theatre in Seattle on a double bill with the excellent IF..........  I knew nothing of the film or it's star Maggie Smith, and it was playing 2nd.  It was a question as to whether or not the 4 of us high school buddies would stick around for it.  It turned out to be one of those jaw dropping experiences watching Miss Smith--she transfixed me like she did to her students.  The film is smartly directed by Ronald Neame, who died in 2010 at age 99 after an illustrious career as cinematographer (including BLITHE SPIRIT 1945, THIS HAPPY BREED 1944, and IN WHICH WE SERVE 1942) and writer and director (including HOPSCOTCH 1980, POSEIDON ADVENTURE 1972, GAMBIT 1966, I COULD GO ON SINGING 1963 etc).    But above all, it is Maggie Smith's pinnacle, and she's had quite a few.  The script has some of the greatest zingers ever written, and Maggie Smith delivers them with her infamous pithy delivery.  I know most of the dialogue by heart.   Here are some of my favorite lines:

Jean Brodie:   Sandy, please try to do as I say and not as I do.  Remember, you are a child, Sandy, and far from your prime.

J B:  For those who like that sort of thing, that is the sort of thing they like.

J B:  Safety does not come first.  Goodness, truth and beauty come first.

J B:  P-E-T-R-I-F-I-C-A-T-I-O-N.  Petrification!  I do not intend to devote my prime to petrification.

Teddy Lloyd:  A man with a wife and six children plus a schoolgirl for a mistress can be called any number of rude names, but "coward" is not one of them.

J B:  Six inches is perfectly adequate.  More is vulgar!

Mary McGregor:  I saw them kissing!----together!

J B:  Little girls.  I am in the business of putting old heads on young shoulders, and all my pupils are the creme de la creme.  Give me a girl at an impressionable age and she is mine for life.

GRADE----------A

The French thriller classic DIABOLIQUE 1954 is in the Hitchcock vein, more suspense and less grotesque violence.  It's a clever conceit, but if you've never seen it you will recognize the plot that has been rehashed in dozens of more recent suspense thrillers.  A wife and her husband's mistress try to kill the brutal husband, but he may or may not be dead.     GRADE------B+

It's not great Hitchcock, and I felt that Gregory Peck is misscast as a dynamo lawyer in London who falls in love with his client, a mysterious woman accused of murdering her husband.  The PARADINE CASE (1947) is very talky, and the last half is all set in court.  There are a number of interesting scenes, and Ethel Barrymore has a small but effective role as the mousy wife of the magistrate (Charles Laughton, at his hammy best).   Even Hitchcock in the interview he did with Peter Bagdonovitch admits that the film  has a lot of flaws and he didn't like the editing and story.      GRADE--------B-